Mostrando entradas con la etiqueta Niemann. Mostrar todas las entradas
Mostrando entradas con la etiqueta Niemann. Mostrar todas las entradas

miércoles, 7 de enero de 2015

Niemann: Piano Music - Sonatas Nos. 1 and 2 / 3 Compositions for Piano / Fantasie-Mazurka - Bing Bing Li [2015]


Walter Rudolph Niemann, (10/10/1876 - 6/17/1953)
Li, Bing Bing - piano
Label: Grand Piano
Total Length: 59:48
ASIN: B00QJWPXXWFormat audio: mp3 + m3u
Audio Quality: Very High (lossy)
Bit Rate: Constante Bit Rate 320 kbps
Size:133,4 MB en el disco



Contenido del CD:

01] Piano Sonata No. 1 in A Minor, Op. 60, Romantic I. Allegro moderato (Im romantischen Balladenton)
02] Piano Sonata No. 1 in A Minor, Op. 60, Romantic II. Poco adagio
03] Piano Sonata No. 1 in A Minor, Op. 60, Romantic III. Non troppo allegro e poco giocoso
04] 3 Compositions for Piano, Op. 7 - No. 1. Intrata Allegro non troppo, ma sempre con molto espressione
05] 3 Compositions for Piano, Op. 7 - No. 2. Erinnerung Andante mesto
06] 3 Compositions for Piano, Op. 7 - No. 3. Arabeske  Vivace e leggiero
07] Piano Sonata No. 2, Op. 75, Nordische I.  Un poco sostenuto
08] Piano Sonata No. 2, Op. 75, Nordische II. Adagio mesto
09] Piano Sonata No. 2, Op. 75, Nordische III.Poco allegro agitato
10] Fantasie-Mazurka, Op. 53



Walter Niemann was born in Hamburg on 10 October 1876 into a notable musical family. His father was the composer and pianist Rudolph Niemann while his uncle, Gustav Adolph Niemann, was a renowned violinist and an important musical influence in Finland. Niemann studied under Engelbert Humperdinck and was also a pupil of Carl Reinecke at the Leipzig Conservatory, earning a doctorate (on early ligatures and mensural music) in 1901. Niemann first worked as a teacher in Hamburg and served as editor of the Neue Zeitschrift für Musik in Leipzig through 1904–06. Between 1907 and 1917 he was critic for the Neueste Nachrichten in Leipzig, though he was later to give up both of these positions in order to devote himself to composition. He also taught on the faculty of the Hamburg Conservatory. In 1927, Hermann Abert described him as “the most important composer for the piano today, who understands how to make music which is fine and colourful, even though he often strays into the salon”.



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